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REPARATIONS

GWTW premiere

Chattahoochee Brick

Labyrinth of Rue

Jim Golden on Confederacy

I dress up

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If you Mean it, Move it

Parade of Ancestors

2012 -- How to

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Women In Time Change History

First U.S. Exhibition of Gao Feng's 70 Drawing Narrative of the Naxi Dongba Tale

WORSHIP HEAVEN

at the Texas State Museum of Asian Cultures during the month of March, 2005, in conjunction with the Corpus Christi Festival of Arts

Sacrificial black boar, black pig, Naxi, Gao, Peggy Dobbins
Entrance to exhibit of 70 drawings mounted on 22 scrolls hung on red felt panels suspended from ceiling on bamboo poles
Gao Feng's Han writing brush with black ink draws Dongba symbols on rice paper to interpret Naxi genesis tale
Examples of modern additions to Dongba pictograms by Gao, Naxi, Han, and Texas school children
Gao's greeting and 1st 3 illustrations of WORSHIP HEAVEN
This 1st exhibit was organized under the Museum directorship of Catherine LaCroix and the Board Presidency Bill Jue. Jue saw "each piece as both shi yitu (painting representing the idea of a poem) and tishihua (painting inscribed with a poem". LaCroix saw that Gao's work would interest not only collectors of different forms of Asian calligraphy like Jue, but also pre adolescent collectors of mangas and animes. 


Gao's family, Chinese consul, and a Museum board member
As an American, my first reaction to Gao's work had also been that it resembled a giant's cartoon strip awaiting annimation.

 next  --> p. 3 pre-Atlanta show

Updated Mar 23, 2026.  Mike & I still alive in Atlanta.  I'm preparing Webinar with Nominations and Elections Committee of the Women's International League for Peace and Freedom this coming Friday, before the No Kings Day, I'll only be able to join if a march passes 300 Peachtree St 

  I am still managing Facebook groups Woman's Work Goes On, It's About time, and White Southerners Talking About Reparations.  contact me in a comment there or at pegdobbins@gmail.com 
Please feel free to use anything on my site and I'll be honored if you do; but if you do, please cite Peggy Dobbins and include a link to  peggydobbins.net

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